On New Year’s Eve

Here we are at the end of yet another year.  It seems 2014 has flown by so quickly!  But it’s been a good year.  If I had to put my feelings at this moment into a single sentence, it would be this:  I had a ton of fun in 2014, and I am looking forward to a busy and very exciting 2015.

A number of years ago, I heard an interview with James Galway.  The interviewer was in a limo with Galway as he traveled to the Hollywood Bowl in preparation for his concert that evening.  What I remember vividly is the sheer joy and excitement in Galway’s voice as he exclaimed, “I still can’t believe I actually get paid to do what I love!”

That pretty much sums up this last year.  Make no mistake – I don’t command the kind of money that Galway gets (not yet!), but I do get paid to do what I love.  Some of the highlights include another residency with the band students at West Genessee Middle School, a collaboration with choreographer Cheryl Wilkins-Mitchell, and pieces on two different CDs, one with Samba Laranja and the other with Trio Casals.  And I’ve been been performing throughout the year as well.

It’s been busy, and it’s been a lot of work, but I have enjoyed every minute.  And it’s given me a running start to kick off 2015!

So, what is coming up in 2015, you ask?  Well, a re-designed website for one, with the ability to purchase either hard copies or downloads of my works.  Plus a couple of confirmed premieres, a residency in yet another school (my 5th one, if you’re counting), and you’ll even have the chance to watch me conduct one of my pieces.

One last bit of news – you’ll be hearing me over the airwaves again!  I have re-joined the team of professionals at WCNY-FM, and began dusting the cobwebs off my broadcasting skills just this week.  I’ll be on the air occasionally, doing fill-ins so those wonderful hosts have the opportunity to take a well-deserved break now and then.  I always enjoy spending time with the Classic FM listeners.

In case you want to keep up on the increasingly busy happenings around here, you’ve got a few options:

I’ll keep you updated with all the exciting things happening in 2015!

Before I go, let me give you my heart-felt wish for your new year to be filled with music and joy, as well as the chance to spend some time doing what you love.

Have a happy, healthy new year, everyone!

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When Things Come Together

It’s an exciting time!  Rehearsals for the 2014-15 concert season have started, the Brazilian ensemble has had two performances in the last week, with two more scheduled for this week.  The flute choir repertoire is set after our reading session last week, and rehearsals start in earnest next week.

And CDs!

Last night I got a copy of the (nearly) final master for the upcoming Samba Laranja CD, featuring my work, Travels.  I am so privileged to have been involved not only in the recording of Travels, but in both performing and giving artistic input on the rest of the CD as well.  The last CD won a SAMMY – and honestly, this one is sounding even better.

Which has raised my excitement level for the new Trio Casals CD as well!  I’m working closely with the sound engineers at PARMA right now, to get Three Songs sounding just perfect.  (Not a difficult job, really, given the incredible performances by Trio Casals!)  Now I realize what a difference it will make when I can hear it in context with the rest of the CD.  I’m even more excited to hear the full master!

It’s also exciting – and a bit nervewracking – to watch the Indiegogo funding campaign.  With just 18 days left, I haven’t quite hit the 20% funding mark.  So here it is, another request for you to check out the campaign and make your contribution.  Then share it with your friends and family, and ask them to support it as well.

Trio Casals: Sylvia Ahramjian, violin, Anna Kislitsyna, piano, & Ovidiu Marinescu, 'cello

Trio Casals: Sylvia Ahramjian, violin, Anna Kislitsyna, piano, & Ovidiu Marinescu, ‘cello

 

Still not sure if you want to support a new and untried work?  That’s understandable.  And so I encourage you to read this article from Minnesota Public Radio.

Three Songs Re-launch

I love September.  In many ways, it feels like a re-birth to me.  Rehearsals start up again for Samba Laranja and the CNY Flute Choir.  The concert season begins in earnest for most music and arts organizations.  Days are breezy, nights are wonderfully cool, leaves are showing the first signs of turning.  It’s as though everyone and everything is pausing just enough to catch a deep breath.

Sure, August ended on a low note.  But I took my own deep breath last weekend, and now I feel re-energized and ready to push ahead once more.

That’s why I’ve launched another campaign to raise funds for my Three Songs, this time on Indiegogo.  Once again, I’m starting from scratch, but I am much more confident this time around.  I’ve learned a lot, and I expect I’ll be better able to spread the word to not only the folks who tried to back me the last time (and hopefully will renew that backing!), but to an even broader audience. 

I’ve said it before, and it’s not news – making new music available to a broad audience takes resources – monetary resources.  Recording, publishing, performers and performance spaces, publicity – all of this comes at a cost.  No matter how frugal I am, it won’t happen for free, especially considering this is much more than a simple CD release.  The enhanced CD includes extra digital content (scores, liner notes, interviews), and the whole process culminates in two live performances, one in New York and the other in Philadelphia.  Believe me, every single dollar is being stretched to its limit!

As for the actually fundraising, this time around I’m concentrating even more on sharing my music with you.  I’ve added several music videos to my Vimeo page for you.  And I’ve given you a little more insight into the inspiration behind the Three Songs in my Indiegogo video, in the hopes it will inspire you to fund these Three Songs

I’ll also be giving you more blog and Facebook entries, and I would love to hear from you with any questions or thoughts you may have.  The smallest funding level is just $1, which means our conversation can start with, “Thank you so much for your support!”

Learning How to Ask

I discovered something during my time in public radio.  I’m pretty good at begging for money!

Twice a year we had a pledge drive, and teamed up in pairs to ask our listeners to pledge their support to the station.  We had hourly goals, and almost every time, whether I was the host or the “pledge buddy,” we’d meet our goal.  Even though I’ve left the station, I still go back twice a year to help at pledge time.  At this point, I’m the only non-employee still “buddy-ing” on the air, so I must be doing something they like!

Asking for money to support someone else is surprisingly easy.  Support classical music on public radio, support cancer research, support your local animal shelter.  But what happens if I ask for money for myself?

I squirm, I apologize, I expect to be turned down.  I feel inadequate, as though I shouldn’t even be asking.

In all honesty, though, getting your music heard takes resources, and the most valuable resource is money.  As a composer, money is what allows me to fairly compensate musicians, to reserve recording space, to publish scores (or hire someone to do these things), and bring in enough income to allow me the time to compose.

This has been a good year for me so far.  I have two very different works coming out on two separate CDs, and the time I’ve spent in the recording studio on each of them has been phenomenal.

It’s also helped me learn how to ask.  I’ve always been so thrilled (and a little surprised) that anyone is performing my music, that I tend to take whatever they give me.  But this time around, I’m listening to each piece critically, and asking the performers to give me a little more of this, or a little less of that.  And I’ve discovered that it not only makes for a better performance, but strengthens the composer/musician relationship as we explore the nuances of the work together.

All of this has given me the confidence to ask just a little bit more.  While one of the CDs this year is being completely funded by the performing ensemble, the other is a collaborative work.  I’ve written a new piano trio for Trio Casals called Three Songs.  The CD is a collection of works, and is being coordinated through PARMA Recordings.  They have a team of talented people who bring so much to the table, which means it is well worth the price to bring an enhanced CD out with national distribution.  Frankly, they have much better resources, and can do far more for me than I could ever do on my own.

So, to help me cover the cost of my share, I’ve jumped in with both feet and started a Kickstarter campaign.  After asking on behalf of others for many years, I’m finally comfortable asking for myself.

There are two things in particular that I like about Kickstarter.  The first is that it’s all or nothing funding.  If the goal is met, the project is funded, and if not, well, no one will be out any money at all.  The second thing is that you’re funding something specific – full production of an enhanced CD, and two live performances.  And in return, I am able to give you something tangible – my music, in several forms.

And now, I’m asking you to help me.  Check out the Kickstarter campaign.  If you can’t contribute financially (and let’s face it, money is tight for all of us!), you can still help by spreading the word to your family and friends.

(In case you missed it earlier – here’s the link to the Kickstarter campaign.  Share and enjoy!  https://www.kickstarter.com/projects/1763978672/three-songs-for-trio-casals)