And the Calendar Takes Another Turn

I admit, I’ve been neglecting my blog.  It’s been an incredibly busy year, and I haven’t had a lot of time to reflect.  But it’s New Year’s Day, and I’m fighting the start of a cold, so it seems the perfect opportunity to take it easy and catch up on a few things.  Including the blog.

There has been a lot of music this year.  I’ve (finally) turned over the trombone concerto to Haim and Ovidiu.  It’s called “Dreamcatcher,” and although it is technically a single movement, it has three very distinct and different sections.  They’ll be travelling to Moscow in a couple of weeks to record most of the works for the upcoming CD, and I can’t wait to hear it.  I won’t be travelling with them, but I will be at the recording session via Skype, so it’ll definitely be a new experience for me!

Now that the score and parts are completed and handed over, I can admit that it was a daunting project for me!  This was my first foray into orchestral composition, and it was a little overwhelming at times.  But I did work my way through it, and I am very proud of the result.  I’m ready and eager to take on more large-scale works, so bring ’em on!

As for other works from this year, I already talked about “Elemental Suite” and “Woman A/Part” in a previous post.  I’m hoping to revisit “Woman A/Part” again this year, in order to expand it into something much more substantial.  I’m also in the midst of transcribing a work for Contrabass Flute with Flute Choir called “J.C. Dist” by Jelle Hogenhuis, who made my contrabass flute, as well as working on another flute choir work with a contrabass solo.  If all goes well, we’ll work on those for the spring concerts with the Central New York Flute Choir.

I’m also very excited that Trio Casals has included “Three Songs” into some of their programming, and have plans to include it on at least 2 more concerts.  You can hear it in Lewes, DE in March, and in Cazenovia, NY in July.  (Details on dates, times, and venues are all available at my website.)

I’m also in the early planning stages of a collaborative project that I’m very excited about.  We’re not ready to present any details about it yet, but I will absolutely keep you up to date as things progress.  

And what else has kept me so busy?  Well, working a 40 hour week at the radio station, of course.  After so many years of absolute freedom in dictating my own schedule, it’s been an adjustment.  But I love going to work every day, getting my hands deep into so much classical music, hearing new releases of new and old works.  I’ve also discovered that I really love doing interviews!  I’m bringing in folks almost every single week to talk about their work in the arts, and sometimes give us a short performance.  It is an absolute blast getting to chat with so many artists, both local and national!  And working on my weekly show, Feminine Fusion, has been absolutely incredible!  It’s going well, and getting very good responses from listeners.  And I’m learning so much about other women in the classical music world, and their achievements and struggles.  It’s giving me a whole new level of respect for those who have led the way in the arts community.

Let’s not forget performing, either.  I’m still a regular member of Samba Laranja, and the Central New York Flute Choir.  And, at the moment, I’m also filling in as second flute with the Onondaga Civic Symphony Orchestra, for their February concerts.  And I still translate and run the supertitle slides for the Syracuse Opera Company.  Add in the non-musical activities that I hope to do this year (dog agility, regular rides on my trike, cheering/heckling my husband during his cyclecross races, just to name a few) and it’s definitely going to be a busy 2017!

So, before I wrap up this entry, let me give you my sincere hope that your 2017 is filled with music and joy!  

A Quiet Saturday Afternoon

Quiet time.  Time to think, reflect – and blog.  That’s something that’s been missing for a while.

Things at the radio station are going very well.  Just like any new endeavor, it’s taken a bit of time to settle into a routine.  Not to mention, as I get more comfortable (and folks around the office get to know me better), my responsibilities are expanding.

It’s been nearly a year since I stepped into the mid-day hosting spot on WCNY.  I’m finally comfortable enough to really call it my own now.  I’ve made a few changes, including a weekly hour of music “Fresh From the Wrapper,” where I feature works from CDs that we’ve just received in the station.  These are the newest classical music releases, some of which aren’t available for sale just yet, and I get to share them with our listeners.

Putting together a 2-hour Concert Hall every other week has been fun as well.  Morning host Bruce Paulsen and I divvy up the Concert Hall duties, hosting on alternating weeks.  It’s a great chance to present music from various venues and organizations here in Central New York, and wow, do we have some incredible talent cross our threshold!

I’m adding another responsibility at the station as well – a new program, which we hope to make available for syndication, called Feminine Fusion.  It features music created, performed, and inspired by women throughout history and into the present day.  Look for the first episode to air on WCNY in September.  It’s titled, “From Parlor … to Prize Winners” and features music composed by Clara Schumann, Libby Larsen, and more.  I’ll be providing a weekly blog update with program notes for each episode, so be sure to listen in if something piques your interest!

If you’re worried that the composition side of my world is being neglected, have no fear!  I wrote a very short work at the request of the Society for New Music based on the photography of Carrie Mae Weems.  The piece is called “Woman A/Part,” and it was premiered at the benefit gala this Spring.  There will be a repeat performance this summer at the Cazenovia Counterpoint Festival as well, and I can’t wait to hear it live.

I’m also taking a vacation from the radio station next week to put the final touches on my trombone concerto for Haim Avitsur.  My good friend Ovidiu Marinescu will be conducting the work (in Moscow in January – brrr!), and the CD will be coming out mid-2017.  I’m very excited about the piece, and I can’t wait to share it with you!

And, in true “glutton for punishment” style, I’ve picked up two new instruments for the summer.  I’m taking banjo lessons from the talented Nick Piccininni (all while enduring an endless array of banjo jokes from my friend, Bill Knowlton).  I’ve also bought an instrument I’ve wanted for some time now – a contrabass flute!  This particular flute was handmade by Jelle Hogenhuis, and I am having an absolute blast with it!  It arrived just after the CNY Flute Choir season ended, and I’m excited for the fall rehearsals to start up again.  I’ve also started working on a new flute choir piece that (fingers crossed) we can premiere next Spring.  I’ll keep you posted on that as well.

If you’ve read this far, well, thanks!  Now that we’re caught up again, I promise you’ll be getting more regular updates.  And if you have ideas or requests for my regular programming or the new Feminine Fusion show on Classic FM, drop me a note and let me know!

2016 Already?!?

Wow!  That year just flew by!  I can’t believe I’m sitting here, minutes before midnight, looking back on the whirlwind that was 2015.

I must confess that most of my previous “whirlwind years” have been primarily due to hardships – illness, financial struggles, and so on.  But this past year has been verrrrry different!

This year’s whirlwind has been almost entirely musical.

I was incredibly excited to head to the SAMMY awards with our producer Bob Halligan to accept the SAMMY for Samba Laranja‘s latest CD, Pathways.  Having a work on that CD, and being in the studio throughout the recording process was an amazing experience.

This year also marked the release of Moto Continuo, the Trio Casals CD that was a nearly a year in the making.  Trio Casals (Ovidiu Marinescu, Sylvia Ahramjian, and Anna Kislitsyna) recorded my “Three Songs” last year, and the start of this year included proofing and approving recordings, liner notes, artwork, and more.  Then came May, and we traveled to West Chester, PA and then New York City for the premieres – just a few days apart.  It was a lot of driving, but well worth it to hear these two fantastic performances.

I also had a couple of new works premiered, “Dyad” for flute and cello, and “Elemental Suite” for flute, viola, and piano (premiered at the Vision of Sound performance in November.)  A snippet of “Porch Music” was included in the American Composers Forum 40th anniversary “Chained Melody” video, and I conducted the full work several times in the spring for the Central New York Flute Choir annual spring concert series.  Not to mention, “Three Songs” has been getting quite of bit of airplay across the U.S., and even made it to broadcast in Spain!

This year also marked the release of my newly designed Pet Dragon Music website.  (You can read all about that process here.)  I will admit, I’ve fallen a touch behind in my updates in the last couple of months, but I promise, it’s all for very good – and very musical! – reasons.

And what kept me the busiest in the last quarter of 2015?  A full-time job as the new mid-day host on WCNY-FM here in Syracuse.  Believe me, after so many years as a full-time composer, taking on a second full-time job was not a decision made easily or lightly.  But, having ensured that I will continue to have enough time to compose and perform, I jumped in with both feet!  It has been a big adjustment – no more staying up until all hours of the night composing – but as we head into the new year, I’m finally well-settled into my new routine, and I’m full of new ideas!

With all this going on, I also wanted to let you know the many different ways you can keep up with my activities:

  • “Like” me on Facebook (This is where you’ll find out just about everything – upcoming concerts and events, new pieces, website updates, new blog posts, and more.)
  • Follow me on Twitter (where I tweet a bit of musical trivia while I’m on the air!)
  • Watch my website for monthly updates, including uploads of new pieces.
  • Listen to me on WCNY-FM weekdays from 10am to 2pm (Eastern time).  You can live-stream from the website, or through the “Tune-In” mobile app.
  • Keep an eye right here on WordPress for various and sundry musical musings.

So now, as I finish this little essay on this snowy New Year’s Day, I want to wish you and your loved ones a safe and happy 2016, and may your year be filled with music and joy.

Two Full Time Jobs?

Leaving the corporate world and entering college full-time to learn music composition at 40(-ish) years old was a huge lifestyle change.  And not an easy one.  I knew that working in the arts was not likely to be a highly profitable career move.  At the same time, I knew that music – both composing and performing – was my passion, and I felt compelled to pursue it to the best of my abilities.

That hasn’t been easy.  Part-way through my graduate degree, we had a significant setback in our household income (one of the risks of self-employment).  And when your income is cut in half, I’m sure you’ll understand the temptation to say, “Screw the music degree.  I’m going back to making money.”  Believe me, there was an awful lot of discussion and soul-searching in that challenging year.

At some point during that time, I saw an interview with Penn & Teller.  They – well, mostly Penn Jillette – talked about when they decided to truly make a go of their partnership.  They decided that, from that point on, they would not take any work outside their chosen field.  No unrelated “I’ll do this ‘until’ we start to make it” jobs.  That decision really resonated with me.  Working full-time as an administrator (or whatever) meant my musical ambitions would be at the mercy of the needs of my non-musical job.  So together, my husband and I decided to follow that example.  I would not take a job that was not musically-related, and we would make whatever sacrifices were necessary in order to allow me to pursue my music.

One of the most fun things to come out of that decision has been my role at WCNY-FM, the Classical Music station based here in Syracuse, NY.  For the better part of the last 6 years, I’ve been the “fill-in” host.  I always said I had perhaps the most fun job at the station.  I got to fill in at all hours of the day, weekdays and weekends, and learn how all the other hosts did their programming.  In some ways, it’s like a book editor – you get to know how the personality of each individual host by the idiosyncrasies of their programming.  During that time, I also did a lot of the weekend programming and hosting, which allowed me to explore and share my own sensibilities with our listeners.  Not to mention, I had plenty of flexibility, which allowed me to continue to compose and perform.

Well, starting August 26th, that’s going to change a bit!  Long-time mid-day host Bill Baker has decided to retire.  I’m terribly sad to see him go, as he has been a fixture at WCNY in both Radio and TV for many years.  BUT . . . I have been asked to step in as the new mid-day host!  I can’t wait to share my programming with a wider audience, not to mention the opportunity to bring you the Concert Hall (sharing those hosting duties with Bruce Paulsen), and some incredible interviews with the Live at Noon Series (including Matt Haimovitz, the Neave Trio, and Jeffrey Siegel, for starters!)

I must say, though, that before I said “YES!” to this exciting opportunity (and I promise you, it was a big, enthusiastic “YES!”) I took the time to think it through very carefully.  As much fun as it is to work at the station, I am, first and foremost, a full-time composer.  Part-time fill-in work is easy and fun – jump in, chat on the air, and zip home.  The responsibilities of a full-time position require more effort, for sure.  I had to think about what I am willing to give up, or not, to do this job.

First and foremost, I cannot give up composing.  That, more than anything, is the second greatest joy in my life (outside of my family).  Nor will I give up performing.  Working with Samba Laranja and the Central New York Flute Choir is waaaaaay too much fun to set aside, not to mention the individual and small group performance opportunities that continue to come my way.  On the other hand, being a host on WCNY-FM gives me the opportunity to immerse myself in an exceptional catalog of classical music every single day, including the newest releases hot off the presses.  Having access to such an incredible array of music, plus the opportunities to meet and converse with outstanding musicians and other professionals in the classical world?  As the commercial says:  PRICELESS!

That’s not to say there won’t be a bit of an adjustment period!  I don’t think I’ll be staying up until 6 or 7 am to work on the newest piece anymore.  (Unless you want to hear me snoring on the air!)  But I am confident that I’ll be able to balance both hosting and composing duties, and still have time to attend some concerts, or for the occasional trip to wine country, or just for some quality time with Dear Hubby and Benson the Dog.

So do me a favor.  Watch my Pet Dragon Music website for monthly updates on my compositional activities (and remember, you can listen to my works and purchase the scores from there as well).  Give me a “Like” on Facebook for more frequent updates on my various activities.  And if you like classical music trivia, follow me on Twitter – I’ll be sending out a daily tweet with an interesting tidbit about the music I’m playing on the radio!

On New Year’s Eve

Here we are at the end of yet another year.  It seems 2014 has flown by so quickly!  But it’s been a good year.  If I had to put my feelings at this moment into a single sentence, it would be this:  I had a ton of fun in 2014, and I am looking forward to a busy and very exciting 2015.

A number of years ago, I heard an interview with James Galway.  The interviewer was in a limo with Galway as he traveled to the Hollywood Bowl in preparation for his concert that evening.  What I remember vividly is the sheer joy and excitement in Galway’s voice as he exclaimed, “I still can’t believe I actually get paid to do what I love!”

That pretty much sums up this last year.  Make no mistake – I don’t command the kind of money that Galway gets (not yet!), but I do get paid to do what I love.  Some of the highlights include another residency with the band students at West Genessee Middle School, a collaboration with choreographer Cheryl Wilkins-Mitchell, and pieces on two different CDs, one with Samba Laranja and the other with Trio Casals.  And I’ve been been performing throughout the year as well.

It’s been busy, and it’s been a lot of work, but I have enjoyed every minute.  And it’s given me a running start to kick off 2015!

So, what is coming up in 2015, you ask?  Well, a re-designed website for one, with the ability to purchase either hard copies or downloads of my works.  Plus a couple of confirmed premieres, a residency in yet another school (my 5th one, if you’re counting), and you’ll even have the chance to watch me conduct one of my pieces.

One last bit of news – you’ll be hearing me over the airwaves again!  I have re-joined the team of professionals at WCNY-FM, and began dusting the cobwebs off my broadcasting skills just this week.  I’ll be on the air occasionally, doing fill-ins so those wonderful hosts have the opportunity to take a well-deserved break now and then.  I always enjoy spending time with the Classic FM listeners.

In case you want to keep up on the increasingly busy happenings around here, you’ve got a few options:

I’ll keep you updated with all the exciting things happening in 2015!

Before I go, let me give you my heart-felt wish for your new year to be filled with music and joy, as well as the chance to spend some time doing what you love.

Have a happy, healthy new year, everyone!

The Thousand Mile Journey

“The journey of a thousand miles begins beneath one’s feet.” 

 

This somewhat different translation of the familiar quote from Lao-tzu resonates with me deeply, moreso than the familiar one.  I think that is, in large part, because I have taken several “thousand mile journeys” in my life.  I have, for countless reasons, put my journey on hold over the years.  Does that make this one journey with detours?  Or an entirely new journey with each “restart?”

Which begs the (guilt-fueled) questions . . . did I actually complete the “last” thousand mile journey?  Am I just repeatedly hitting an imaginary “reset” button?  Have I simply failed, and given up?  Even worse, did I just not try hard enough?

How many “first steps” can one person take?

Part of this musing is due to a recent, and significant, change I have made.  As much as I love the job, I have stepped away from my role at WCNY-FM in order to truly devote 100% of my time and energy to composing.  The last time I was able to do this was the (far too brief) summer of 2005.  That was hands-down the most energized, creative period I have had as a composer.  Since then, various and sundry circumstances (illnesses, injuries, financial challenges – and self-doubt, if I am truthful) have stolen too much of my time and attention.  And as much fun as it has been at Classic FM, it too tends to steal me away from my compositional activities.

But honestly, am I just hitting “reset” again?

This particular translation of Lao-tzu has changed my perspective.  I realize I am not stepping off into a new journey at all.  Rather, this is my opportunity to pause, to breathe, to achieve a stillness that will help me focus on the next “thousand miles” with clear intention.

Every new composition can potentially be seen as a new journey (a microcosm of the macrocosm, if you will).  Starting from nothing, from stillness, it can take many twists and turns, often unexpected, before finally returning to stillness.  And from that stillness emerges the next piece.  And the next.  In a sense, this year will ultimately give rise to 13 “thousand mile journeys.”

So no, this is not a reset.  Nor is it starting over.  It is just the moment taken to rediscover the stillness beneath my feet, before traversing the next thousand miles.

 

Just Another New Year

It’s that introspective time of year yet again, time to look back at what has shaped us over the last year, and what we are looking forward to in the year ahead.  Although my plans for the coming year have been gearing up for a while now, I thought I’d take a moment to share a few musings with you on this first day of 2013.

This past year has certainly been eventful.  Losing my brother to cancer in the Spring was . . . awful, to say the least.  I’ve also been putting in tons of extra time at the radio station for most of the year, covering one of our announcers who went on extended leave, while helping coordinate the digitization of our entire CD library and auditing the library database.

I’ve been a little busy.

But the vacant shift has now been permanently filled, and I updated the final CD last week (13,000 CDs and over 40,000 77,000 individual works).  And I’ve reduced my on-air schedule to just Sundays, so I have more time available on Saturdays to spend with family and friends.

Basically, the frantic note that has been pretty much a constant throughout this last year has faded, and I have a nice, clean slate for 2013.  I have time . . . time to compose, time to spend with family, time to explore new places and revisit some favorite locales.  My mind is already teeming with music crying out for release, and new pieces are getting sketched out.  This coming year is already shaping up nicely!

What’s left – for now – is my New Year’s wish for you, dear reader:  May the coming year be filled with music and joy, may you cherish the time you spend with friends and family, and may the hills and valleys along the road ahead be gently rolling ones.